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     Two fledgling criminals kidnap a pizza delivery guy, strap a to his chest, and inform him that he has mere hours to rob a bank or else… n the action-comedy 30 Minutes or Less, Nick is a small town pizza delivery guy whose mundane life collides with the big plans of two wanna-be criminal masterminds.

The volatile duo kidnaps Nick and forces him to rob a bank. With mere hours to pull off the impossible task, Nick enlists the help of his ex-best friend, Chet (Aziz Ansari). As the clock ticks, the two must deal with the police, hired assassins, flamethrowers, and their own tumultuous relationship.(Sony Pictures

Movie: 30 Minutes or Less (2011)

Release Date: 12 August 2011 (USA)

Directors: Ruben Fleischer

Writers: Michael Diliberti (screenplay), Michael Diliberti

Genres: Action | Adventure | Comedy

When a Chinese food delivery boy (who’s not even Chinese) stumbles upon a murder scene, he is thrown into a media spin where race, perception, and chicken wings become more important than he ever imagined.

This show was fantastic. I highly recommend it. The acting was superb. The play was well written and directed. Its clear why opening night sold out. The audience loved the play. It took a serious subject, stereotypes, and treated it with humor and empathy. At $15 it is a NY bargain. Dont miss it – there are only 4 shows left.

Two fledgling criminals (Danny McBride and Nick Swardson) kidnap pizza delivery guy Nick (Jesse Eisenberg), strap a to his chest, and inform him that he has mere hours to rob a bank. With the help of his ex-best friend, Chet (Aziz Ansari), Nick must deal with the police, hired assassins, flamethrowers, and their own strained relationship as the clock ticks.
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We’re expecting another R-rated, nerd-as-hero adventure from Jesse Eisenberg and director Ruben Fleischer, an outing heavier on the profanity (hello, Danny McBride) and perhaps less sentimental than the surprisingly tender Zombieland. We’ll see if Jesse has any rules of survival this time around.

Curious to see what writing duo Michael Diliberti and Matthew Sullivan have to say in their first big-screen venture; if this comedy is a hit, they might become as ubiquitous behind the scenes as Zombieland writers Rhett Reese and Paul Wernick (who, like Fleischer) were virtually unknown before the arrival of Columbus, Tallahassee, Wichita, and Little Rock.